Friday, May 31, 2019

Essay Comparing Hemingways A Very Short Story and Fitzgeralds This Si

Comparing Hemingways A Very Short Story and Fitzgeralds This Side of Paradise   When you first read a tragic, melodramatic love depiction you feel like your heart is breaking too. Sometimes you cry. It is only by and by the initial rush of feelings that you begin to feel cheated. Usually the kind of writing that gives you the chirk up to be demonstrative does not stay with you as long as something more subtle. In Scott Fitzgeralds This Side of Paradise, the reader is presented with such a love injection in the form of a play. I admit to having sobbed for a solid minute after reading about the ill-fated romance between Amory Blaine and Rosalind Connage. However, the aforementioned(prenominal) causa, with different characters, told in a much more concise, objective manner in Ernest Hemingways A Very Short Story had a much deeper ramp up on me.   It may be that the honesty of experience had much to do with the differences between the stories. This Side of Paradise is often seen as a loosely found autobiography, but there is no direct basis in reality for the Amory and Rosalind episode. Fitzgerald did have a turbulent relationship with his wife Zelda, but the tragic separate in the novel and Rosalinds later marriage to another man firmly place the story in the realm of fiction. Hemingways account of the meeting and parting of deuce lovers, on the other hand, comes directly from his own life. While there is a feeling in This Side of Paradise that Fitzgerald is trying too hard to make the story realistic, Hemingways account cannot help but convey the honesty that is generally found when a writer draws directly on his own experience.   The style and body structure of the Hemingway story also make it more believable and more effective. Even the... ...ing in a taxi cab through Lincoln Park, that Hemingways protagonist tested to forget about his lost love by indulging in the more shallow gratification of easy sex. Fitzgeralds Amory Blaine turns to alcohol instead, but the concept is the same. However, after nine pages of Amorys bar exploits we have already begun to forget what the problem was in the first place.   Two more disparate accounts of a short-lived love would be difficult to find. Each is successful in its own way. The Fitzgerald version elicited an immediate and powerful reaction from me, but it was the Hemingway story that made me understand the subject more deeply. While A Very Short Story, at first glance, may seem unable to convey the depth and breadth of feeling of the long-run Fitzgerald passage, it actually accomplishes its aim more quickly without sacrificing meaning.    

Thursday, May 30, 2019

In The Skin Of A Lion Essay -- essays research papers

When studying a novel it sometimes helps to look at the language used in a specific passage. In the novel In The Skin of a Lion by Michael Ondaatje, this approach is extremely helpful. It will help you better understand the characters and give you a cle atomic number 18r base of what the author is trying to say. Within the novel, the passage entitled &8220The Skating Scene, where Patrick observes the loggers skate late at night, is stylistically interesting. By looking at metaphors, symbolism and diction, we burn down gain a better understanding of the characters and make connections within the scene and then to the novel as a whole.In &8220The Skating Scene many metaphors are used through step to the fore, making is very poetic. One very powerful metaphor take caren in this passage is &8220This was against the night (page 22). This emphasizes the light and dark imagery found in this passage. Ondaatje points out that for Patrick day is work and night is rest, however, he sees the loggers skating and having fun at night. They are going against what Patrick has been taught. In a way they are showing him a new side to life and he is transfixed. This sense of excitement is also shown in the pace of the passage. As the loggers are skating the pace gets faster, and then starts to lessen down when he goes back home to his routine life. By going against the night, the loggers are essentially breaking the rules &8220Their lanterns replaced them with new rushes which let them go advertise then(prenominal) boundaries (page 22). This idea of going past boundaries reminds us of a part later in the novel. Patrick goes past boundaries when he sets fire to the Muskoka Hotel on page 168. Instead of be an observer like he always is, he actually steps in and goes &8220against the night. By comparing Patrick in &8220The Skating Scene to when he goes to the Muskoka Hotel, we merchant ship see how he grows and changes throughout the course of the novel. Another powerful met aphor in this particular scene is &8220And a moon lost in the thickness of clouds so it did not shine a road for him towards the trees (page 20). This metaphor again emphasizes the light and dark imagery in the scene. Even though there is no path for Patrick to follow, he still finds his way to the skaters by travelling towards the light from their l... ...ple, &8220&8230.they could leap into the air and crash down and it would hold the, (page 22), &8220When they collided sparks fell into the ice&8230. (page 21), and &8220their lanterns&8230..let them go further past boundaries (page 22). Personification is also used to show that the skaters have magical powers &8220A tree branch reached out, its hand frozen in the ice, and one of them skating under it (page 21). The idea of witches and magic reminds us of a quote on page 93. Patrick talks about Clara and says &8220 Something about her cast a spell on me&8230I don&8217t know what is it. It seems that Patrick is fascinated with peo ple who possess these magical qualities.It is evident that by doing a stylistic analysis of a passage, we can get a better understanding of characters and make connections within the passage and then to the rest of the novel. This is certainly the case with &8220The Skating Scene in Michael Ondaatje&8217s In The Skin of Lion. The metaphors, symbols and diction he uses in this particular passage clearly show that he is truly a brilliant writer.

Wednesday, May 29, 2019

The Shield of Achilles in the Iliad :: Iliad essays

The Shield of Achilles in the Iliad The shield of Achilles plays a major part in the Iliad. It portrays the story of the Achaeans and their fight against the Trojans in a microcosm of the big story. Forged by the god, Hephaestus, who was a crippled smith, it depicts the two cities and the happenings within, as well as Agamemnons kingly estate. To gain insight into the details and intricacies of the shield, one must olfactory modality at the shield itself, the cities depicted within the shield, and the Kings Estate and other scenes which are also depicted. These items will give even an amateur reader a fairish understanding of the importance of Achilles shield and the Iliad. Hephaestus, the god of fire, is the smith whom forged Achilles shield. He begins with twenty hot bellows and fires bronze, tin, gold, and silver in his kiln. He then talk to hammer the metals upon his anvil to create a massive shield for Achilles to wield. The shield itself is made of five layers of metal with a triple ply shield soap edging on the rim. On the shield are scenes showing the heavens and earth and sea, two noble cities, a kings estate, fallow fields, a thriving vineyard, a herd of longhorn cattle, and a dancing circle. Once Hephaestus completes the shield he makes a breastplate and helmet for Achilles. The armor he forges is indestructible and worthy of a god. through and through Homers description of the shield and how it is forged, the reader can begin to understand the importance and value of this device in a literary context. The two cities depicted on the shield represent a city in Greece and Troy. One of the cities is filled with men dancing and singing and brides marching through the streets, while the other is circled by an army. This army has two plans which split their ranks to share the riches which they have captured or plunder the city and capture more. Turmoil surrounds each city. In one a quarrel breaks out and is brought to judgem ent. Surrounding the other, two armies fight along the river banks killing men and dragging off the dead. Both cities are tainted with death, and both brook love.

Tuesday, May 28, 2019

Dual Narration in Joseph Conrads Heart of Darkness Essay examples --

Dual Narration in Heart of Darkness Joseph Conrads novella Heart of Darkness not only dwells on interesting and thought provoking issues that relate to society today, it is also told in an interesting manner in the form of a story inside a story. This serves not only to show increased levels of mental development from all parties involved, that is Marlow, the frame fabricator and the reader - but distances Conrad from the text in much(prenominal) a way that he can promote revolutionary issues without necessarilty being attached to them. The character of Marlow does except this - he is far from neutral and is employed by Conrad to position the reader by offering a double-dose of psychological development from Marlow, and the framed narrator. Perhaps the scoop way to comprehend Marlows involvement is through an understanding of his journey through the four thematic stages of his travels. These are the trace of the river which surrounds him (the Thames), the darkness within Kurtz , and with the city of Brussels, the impeniterable darkness within the Congo, and the darkness present within each individual. Through these aspects of the novella can we as readers comprehend the true value of Marlows character. Initially, Marlow and his audience find themselves within the picturesque setting of the river thames in London. The frame narrators description of such a scene (paralleled to his final description) offer some of the only comment he gives passim the novel. This is especially important for we as readersare able to comprehend his psychological journey (if not the other men in the boat) forwards, an enlightened state similar of that to Marlow. A buddah preaching in European clothes. Most noteable however is the phenomin... ...rlow, and the frame narrators position as commentator, their journies - both physical and psychological, position the reader to such an intent that possibilities become infinitely clearer. The darkness evident initially, including the overpowered Kurtz and the gloom encompassing the stark nature of man underneath ornaments and rags are all portrayed in such scenes by the narrators. Futhermore Conrad envisages the reader being successfully positioned - recognising their own true heart of darkness - and that of the materialistic, possession driven civilisation they live in. Bibliography Conrad, J. (1995). Heart of Darkness. London Penguin Group. Kingsley, Widmer. lexicon of Literary Biography British Novelists 1890-1929. Tulsa 1984 Hayes, Dorsha. Heart of Darkness An Aspect of the Shadow, Spring (1956)