There is no doubt that Leni Riefenstahl was a very sophisticated and fanciful filmmaker who brought worldwide recognition to the German adopt Industry. She has achieved this through with(predicate) underlying conflict between art and faith in her documentaries as well as their artistic values. Although Riefenstahl washstand non be questioned on her expertise in making films, more of works chew over the ideology that Hitler and the Nazi fellowship stood for. Riefenstahls films promoted several aspects of Nazi propaganda, including the theory of the Aryan body and the Fuhrer rage seen in achievements such as exult of the Will and slap-up of Washington. In doing so, her films helped to cement the future of national socialism in Germany and make it acceptable to an international audience. This achievement for Riefenstahl is pregnant because it successfully portrays Hitler as a semipolitical and economic saviour who appears to get under ones skin the ability to return G ermany to Glory. Historians such as Susan Sontag and David Hinton determine that Riefenstahls films helped strengthen Hitlers image and hold on power. At the date Triumph of the Will was made, Hitlers hold on power was not peculiarly strong. The film was a successful means of presenting German audiences with a unified Nazi Party, introducing the new leaders and alleviation the political uncertainty.

Triumph of the Will overly aimed to convince audiences after-school(prenominal) Germany that Hitlers new political science promised peace and beau monde and did not venture war. Another exploit in Leni Riefenst ahls life is production of the film Olympia ! from the 1936 Berlin Games. Olympia focuses on the glory of the human body, from the muscular physique of the fun competitors. This is authoritative because it reflects some of the Nazis idealization of the classical Greek body. It also presents Hitler as a paternalistic leader who watches over his incorruptible citizens and Aryan Athletes... If you want to get a full essay, order it on our website:
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